Barthes, Roland. Elements of Semiology. New York: Hill and
Wang, 1964.
--------. Writing Degree Zero. New York: Hill and Wang, 1984.
Barzun, Jacques. "Scholarship Versus Culture." The Altantic,
Nov. 1984, p. 93.
Belting, Han. The End of the Study of Art? Chicago: University
of Chicago Press, 1987.
Berger, John. Ways of Seeing. New York: Penguin, 1983.
Bloom, Harold et al. De-construction and Criticism. New York:
Continuum, 1985.
Boorstin, David. "Myths of a Scientific Society." Science
Digest, Dec. 1984, pp. 82-3.
Bronowski, J., A Sense of the Future. Cambridge: MIT Press, 1977.
Cabanne, Pierre. Dialogues with Marcel Duchamp. New York: Viking
Press, 1971.
Carroll, David. Paraesthetics: Foucault, Lyotard, Derrida. New
York: Methuen, 1987.
Cassirer, Ernst. The Philosophy of Symbolic Forms, Volume Two:
Mythic Thought. New Haven: Yale University Press, 1955.
Chipp, Herschel. Theories of Modern Art: A Source Book by Artists
and Critics. Berkeley: University of California Press,1968.
Chomsky, Noam. Reflections on Language. New York: Pantheon Books,
1975.
David, Douglas. Artculture: Essays on the Post-Modern. New York:
Harper & Row, 1977.
de Antonio, Emile and Mitch Tuchman. Painters Painting: A Candid
History of the Modern Art Scene, 1940-1970. New York: Abbeville
Press, 1984.
Dundes, Alan. Sacred Narrative: Readings in the Theory of Myth.
Berkeley: University of California Press, 1984.
Foster, Hal. Recodings: Art, Spectacle, Cultural Politics. Port
Townsend: Bay Press, 1985.
------. The Anti-Aesthetic: Essays on Postmodern Culture. Port
Townsend: Bay Press, 1985.
Frascina, Francis and Charles Harrison. Modern Art and Modernism:
A Critical Anthology. New York: Harper & Row, 1982.
Freud, Sigmund. Group Psychology: And the Analysis of the Ego.
New York: W.W. Norton, 1975.
-----. Totem and Taboo: Resemblances between the Psychic Lives
of Savages and Neurotics. New York: Vintage Books, 1961.
Fuller Peter. Art and Psychoanalysis. London: Writers and Readers
Publishing Cooperative Ltd., 1980.
Gablik, Suzi. Has Modernism Failed? New York: Thames and Hudson,
1984.
------. Progress in Art. New York: Rizzoli, 1979.
Hampden-Turner, Charles. Maps of the Mind: Charts and Concepts
of the Mind and its Labyrinths. New York: Collier Books, 1982.
Harrison, Charles and Fred Orton. Modernism, Criticism, Realism:
Alternate Contexts for Art. New York: Harper & Row, 1984.
Heidegger, Martin. Nietzsche: The Will to Power as Art. San Francisco:
Harper & Row, 1979.
Hutcheon, Linda. A Theory of Parody: The Teaching of Twentieth-Century
Art Forms. New York: Metheun, 1985.
Jacobi, Jolande. Complex/Archetype/Symbol: In the Psychology of
C.G. Jung. New York: Princeton University Press, 1959.
Jaynes, Julian. The Origins of Consciousness in the Breakdown
of the Bicameral Mind. Boston: Houghton Mifflin, 1976.
Jopling, Carol. Art and Aesthetics in Primitive Society. New York:
Dutton, 1971.
Jung, C.G. Memories, Dreams, Reflections. New York: Vintage Books,
1965.
----. On the Nature of the Psyche. Princeton: Princeton University
Press, 1969.
---- and C. Kerenyi. Essays on a Science of Mythology. Princeton:
Princeton University Press, 1969.
Kant, Immanuel. Critique of Judgment. New York: Hafner Press,
1951.
Kostelanetz, Richard. Esthetics Contemporary. Buffalo: Prometheus
Books, 1978.
Krauss, Rosalind E. The Originality of the Avant-Garde and other
Modernist Myths. Cambridge: MIT Press, 1985.
Lacan, Jacques. The Four Fundemental Concepts of Psycho-analysis.
New York: Norton, 1973.
Lakoff, George and Mark Johnson. Metaphors We Live By. Chicago:
University of Chicago Press, 1980.
Lebel, Robert. Marcel Duchamp. New York: Paragraphic Books, 1959.
Lemaire, Anika. Jacques Lacan. Boston: Routledge and Kegan Paul,
1982.
Maslow, Abraham H. Towards a Psychology of Being. Princeton: D.
Van Nostrand, 1962.
Mitchell, Juliet and Jacqueline Rose. Feminine Sexuality: Jacques
Lacan and the ecole freudienne. New York: Norton, 1982.
Nietzsche, Friedrich. The Birth of Tragedy and The Geneology of
Morals. Garden City: Doubleday, 1956.
Osborne, Harold. Aesthetics and Art Theory: An Historical Introduction.
New York: E.P. Dutton, 1970.
Paz, Otavio. Marcel Duchamp: Appearance Stripped Bare. New York:
Viking Press, 1978.
Ross, Stephen David. Art and its Significance: An Anthology of
Aesthetic Theory. Albany: State University of New York Press,
1984.
Samuels, Andrew. Jung and the Post-Jungians. Boston: Rutledge
and Kegan Paul, 1986.
Sontag, Susan. Under the Sign of Saturn. New York: Farrar, Strauss,
Girous, 1980.
Springer, Sally and Georg Deutsch. Left Brain, Right Brain: Revised
Edition. New York: W.H. Freeman, 1985.
Stevens, Anthody. Archetypes: A Natural History of the Self. New
York: Quill, 1983.
Wallis, Brian. Art after Modernism: Rethinking Representation.
Boston: Godine, 1984.
Warnock, Mary. Ethics Since 1900. New York: Oxford University
Press, 1968.
Youngblood, Gene. Expanded Cinema. New York: E.P. Dutton, 1970.
R. Cronk, 2004
home / previous / Articles Table of Contents